Murder on the Red River
Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother's wrecked car when she was three. He's kept an eye out for her ever since. It's a tough place to live--northern Minnesota along the Red River. Cash navigated through foster homes, and at thirteen was working farms. She's tough as nails--Five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side. Wheaton is big lawman type. Maybe Scandinavian stock, but darker skin than most. He wants her to take hold of her life. Get into Junior College. So there they are, staring at the dead Indian lying in the field. Soon Cash was dreaming the dead man's cheap house on the Red Lake Reservation, mother and kids waiting. She has that kind of power. That's the place to start looking. There's a long and dangerous way to go to find the men who killed him. Plus there's Jim, the married white guy. And Longbraids, the Indian guy headed for Minneapolis to join the American Indian Movement.
Marcie R. Rendon is an enrolled member of the White Earth Anishinabe Nation. She is a mother, grandmother, writer, and performance artist. A recipient of the Loft's Inroads Writers of Color Award for Native Americans, she studied under Anishinabe author Jim Northrup. Her first children's book is Pow Wow Summer (Minnesota Historical Society Press, 2014). Murder on the Red River is her debut novel.
Marcie Rendon is a citizen of the White Earth Nation. Her novel, Girl Gone Missing, Cinco Puntos Press, is the second in the Cash Blackbear series. The first, Murder on the Red River (2017 Cinco Puntos Press) won the Pinckley Women's Debut Crime Novel Award, 2018. It was a Western Writers of America Spur Award Finalist 2018 in the Contemporary Novel category. Two nonfiction children's books are Pow Wow Summer (MN Historical Press) and Farmer's Market: Families Working Together (CarolRhoda). Rendon was recognized as a 50 over 50 Change-maker by MN AARP and POLLEN, 2018. With four published plays she is the creative mind of Raving Native Theater. She curates community created performance such as Art Is...CreativeNativeResilience which features three Anishinabe performance artists on TPT Public Television, June 2019. Diego Vazquez and Rendon received the Loft's 2017 Spoken Word Immersion Fellowship for their work with women incarcerated in county jails.