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The Reese's Book Club October Pick!

From the #1 bestselling author of Little Fires Everywhere, comes one of the most highly anticipated books of the year – the inspiring new novel about a mother’s unbreakable love in a world consumed by fear.
 
“It’s impossible not to be moved.” —Stephen King, The New York Times Book Review
 
“Riveting, tender, and timely.” —People, Book of the Week

“Thought-provoking, heart-wrenching…I was so invested in the future of this mother and son, and I can’t wait to hear what you think of this deeply suspenseful story!” – Reese Witherspoon (Reese’s Book Club October ’22 Pick)

Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in a university library. Bird knows to not ask too many questions, stand out too much, or stray too far. For a decade, their lives have been governed by laws written to preserve “American culture” in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic—including the work of Bird’s mother, Margaret, a Chinese American poet who left the family when he was nine years old.
 
Bird has grown up disavowing his mother and her poems; he doesn’t know her work or what happened to her, and he knows he shouldn’t wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is pulled into a quest to find her. His journey will take him back to the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York City, where a new act of defiance may be the beginning of much-needed change.
 
Our Missing Hearts is an old story made new, of the ways supposedly civilized communities can ignore the most searing injustice. It’s a story about the power—and limitations—of art to create change, the lessons and legacies we pass on to our children, and how any of us can survive a broken world with our hearts intact.

A young Black girl goes missing in the woods outside her white rust belt town. But she's not the first—and she may not be the last. . . .

“I read this thriller that is Get Out meets The Vanishing Half in one night.”—BuzzFeed

“Extraordinary . . . A terrifying tale of fears and hatreds generated by racism and class inequality.”—Associated Press

A PHENOMENAL BOOK CLUB PICK • ONE OF THE BEST BOOKS OF THE YEAR: Publishers Weekly

It’s watching.

Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the day of the wedding, somewhere between dancing and dessert, the couple’s daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.

It’s taking.

As a frantic search begins, with the police combing the trees for Caroline, Liz is the only one who notices a pattern: A summer night. A missing girl. A party in the woods. She’s seen this before. Keisha Woodson, the only other Black girl in Liz’s high school, walked into the woods with a mysterious man and was later found with her chest cavity ripped open and her heart removed. Liz shudders at the thought that it could have been her, and now, with Caroline missing, it can’t be a coincidence. As Liz starts to dig through the town’s history, she uncovers a horrifying secret about the place she once called home. Children have been going missing in these woods for years. All of them Black. All of them girls.

It’s your turn.

With the evil in the forest creeping closer, Liz knows what she must do: find Caroline, or be entirely consumed by the darkness.

Inspired by true events, this gorgeous, haunting novel intertwines the lives of two Black female artists more than a century apart, both outsiders in Italy.

It was the middle of the nineteenth century when Lafanu Brown audaciously decided to become an artist. In the wake of the American Civil War, life was especially tough for Black women, but she didn’t let that stop her. The daughter of a Native American woman and an African-Haitian man, Lafanu had the rare opportunity to study, travel, and follow her dreams, thanks to her indomitable spirit, but not without facing intolerance and violence. Now, in 1887, living in Rome as one of the city’s most established painters, she is ready to tell her fiancé about her difficult life, which began in a poor family forty years earlier.

In 2019, an Italian art curator of Somali origin is desperately trying to bring to Europe her younger cousin, who is only sixteen and has already tried to reach Italy on a long, treacherous journey. While organizing an art exhibition that will combine the paintings of Lafanu Brown with the artworks of young migrants, the curator becomes more and more obsessed with the life and secrets of the nineteenth-century painter.

Weaving together these two vibrant voices, Igiaba Scego has crafted a powerful exploration of what it means to be “other,” to be a woman, and particularly a Black woman, in a foreign country, yesterday and today.

When her long-lost cousin comes back to town just in time for the holidays, Lila Macapagal knows that big trouble can’t be far behind in this new mystery by Mia P. Manansala, author of Arsenic and Adobo.
 
It’s Christmastime in Shady Palms, but things are far from jolly for Lila Macapagal. Sure, her new business, the Brew-ha Cafe, is looking to turn a profit in its first year. And yes, she’s taken the first step in a new romance with her good friend Jae Park. But her cousin Ronnie is back in town after ghosting the family fifteen years ago, claiming that his recent purchase of a local winery shows that he’s back on his feet and ready to contribute to the Shady Palms community. Tita Rosie is thrilled with the return of her prodigal son, but Lila knows that wherever Ronnie goes, trouble follows.
 
She’s soon proven right when Ronnie is suspected of murder, and secrets surrounding her shady cousin and those involved with the winery start piling up. Now Lila has to put away years of resentment and distrust to prove her cousin’s innocence. He may be a jerk, but he’s still family. And there’s no way her flesh and blood could actually be a murderer . . . right?

"Daughters of the New Year is engrossing and exhilarating... unifying and contorting a family tied by love, debts, humor, and ghosts. Tran has turned the question of what a family can be into a complex, heartfelt mural of possibility." -Bryan Washington, author of Memorial and Lot

A lively, spellbinding tale about the extraordinary women within a Vietnamese immigrant family--and the ancient zodiac legend that binds them together

What does the future hold for those born in the years of the Dragon, Tiger, and Goat?

In present day New Orleans, Xuan Trung, former beauty queen turned refugee after the Fall of Saigon, is obsessed with divining her daughters' fates through their Vietnamese zodiac signs. But Trac, Nhi and Trieu diverge completely from their immigrant parents' expectations. Successful lawyer Trac hides her sexuality from her family; Nhi competes as the only woman of color on a Bachelor-esque reality TV show; and Trieu, a budding writer, is determined to learn more about her familial and cultural past.

As the three sisters begin to encounter strange glimpses of long-buried secrets from the ancestors they never knew, the story of the Trung women unfurls to reveal the dramatic events that brought them to America. Moving backwards in time, E.M. Tran takes us into the high school classrooms of New Orleans, to Saigon beauty pageants, to twentieth century rubber plantations, traversing a century as the Trungs are both estranged and united by the ghosts of their tumultuous history.

A "haunted story of resilience and survival" (Meng Jin, Little Gods), Daughters of the New Year is an addictive, high-wire act of storytelling that illuminates an entire lineage of extraordinary women fighting to reclaim the power they've been stripped of for centuries.
 

For fans of BEFORE THE COFFEE GETS COLD, fairy tale and magic are weaved together in sparse language that belies a flooring emotional punch.

'Strange and beautiful. Imagine the offspring of The Wind-up Bird Chronicle with The Virgin Suicides' GUARDIAN
'Genuinely affecting. A story of empathy, collaboration and sharing truths' FINANCIAL TIMES

Translated by Philip Gabriel, a translator of Murakami
_______________________________

Would you share your deepest secrets to save a friend?

In a tranquil neighbourhood of Tokyo, seven teenagers wake to find their bedroom mirrors are shining.

At a single touch, they are pulled from their lonely lives to a wondrous castle filled with winding stairways, watchful portraits and twinkling chandeliers. In this new sanctuary, they are confronted with a set of clues leading to a hidden room where one of them will be granted a wish. But there's a catch: if they don't leave the castle by five o'clock, they will be punished.

As time passes, a devastating truth emerges: only those brave enough to share their stories will be saved.

Tender, playful, gripping, LONELY CASTLE IN THE MIRROR is a mesmerizing tale about the importance of reaching out, confronting anxiety and embracing human connection.


Readers love LONELY CASTLE IN THE MIRROR:

***** 'This book has become one of my favourite Japanese reads of all time . . . A magical heartfelt read that will stay with you'
***** 'Unexpected, beautiful and heart-breaking . . . this is a work of fiction which reaches into the heart of a modern problem and has valuable insight'
***** 'Rich and vivid.This book is a symbol that 'there is always hope'

"Kingsolver is a writer who can help us understand and navigate the chaos of these times." --Minneapolis Star Tribune

From the New York Times bestselling author of Unsheltered and Flight Behavior, a brilliant novel which enthralls, compels, and captures the heart as it evokes a young hero's unforgettable journey to maturity.

"Anyone will tell you the born of this world are marked from the get-out, win or lose."

Demon Copperhead is set in the mountains of southern Appalachia. It's the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.

Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

“Lee Geum-yi has a gift for taking little-known embers of history and transforming them into moving, compelling, and uplifting stories. The Picture Bride is the ultimate story of the power of friendship—a must read!” —Heather Morris, #1 New York Times bestselling author

“Your husband is a landowner,” they told her.

“Food and clothing is so plentiful, it grows on trees.”

“You will be able to go to school.”

Of the three lies the matchmaker told Willow before she left home as a picture bride in 1918, the third hurt the most. Never one to be deterred, Willow does all that she can to make the best of her unexpected circumstance. But it isn't long before her dreams for this new life are shattered, first by a husband who never wanted to marry her in the first place, and then by the escalation of the Korean independence movements, unified in goal, but divergent in action, which threaten to split the Hawaiian Korean community and divide Willow's family and friends.

Braving the rough waters of these tumultuous years, Willow forges ahead, creating new dreams through her own blood, sweat, and tears; working tirelessly toward a better life for her family and loved ones.

“A beautiful testimony to those women bold and determined enough to leave behind all that was familiar, seeking a better life.” —Lisa Wingate, #1 New York Times bestselling author

From the critically acclaimed author of Something to Talk About comes Meryl Wilsner's Mistakes Were Made, a sharp and sexy rom-com about a college senior who accidentally hooks up with her best friend’s mom.

When Cassie Klein goes to an off-campus bar to escape her school’s Family Weekend, she isn’t looking for a hookup—it just happens. Buying a drink for a stranger turns into what should be an uncomplicated, amazing one-night stand. But then the next morning rolls around and her friend drags her along to meet her mom—the hot, older woman Cassie slept with.

Erin Bennett came to Family Weekend to get closer to her daughter, not have a one-night stand with a college senior. In her defense, she hadn’t known Cassie was a student when they'd met. To make things worse, Erin’s daughter brings Cassie to breakfast the next morning. And despite Erin's better judgement—how could sleeping with your daughter’s friend be anything but bad?—she and Cassie get along in the day just as well as they did last night.

What should have been a one-time fling quickly proves impossible to ignore, and soon Cassie and Erin are sneaking around. Worst of all, they start to realize they have something real. But is being honest about the love between them worth the cost?

A delicious story from a new voice in suspense, Lev AC Rosen's Lavender House is Knives Out with a queer historical twist.

Lavender House, 1952: the family seat of recently deceased matriarch Irene Lamontaine, head of the famous Lamontaine soap empire. Irene’s recipes for her signature scents are a well guarded secret—but it's not the only one behind these gates. This estate offers a unique freedom, where none of the residents or staff hide who they are. But to keep their secret, they've needed to keep others out. And now they're worried they're keeping a murderer in.

Irene’s widow hires Evander Mills to uncover the truth behind her mysterious death. Andy, recently fired from the San Francisco police after being caught in a raid on a gay bar, is happy to accept—his calendar is wide open. And his secret is the kind of secret the Lamontaines understand.

Andy had never imagined a world like Lavender House. He's seduced by the safety and freedom found behind its gates, where a queer family lives honestly and openly. But that honesty doesn't extend to everything, and he quickly finds himself a pawn in a family game of old money, subterfuge, and jealousy—and Irene’s death is only the beginning.

When your existence is a crime, everything you do is criminal, and the gates of Lavender House can’t lock out the real world forever. Running a soap empire can be a dirty business.

Before It Ends with Us, it started with Atlas. Colleen Hoover tells fan favorite Atlas’s side of the story and shares what comes next in this long-anticipated sequel to the “glorious and touching” (USA TODAY) #1 New York Times bestseller It Ends with Us.

Lily and her ex-husband, Ryle, have just settled into a civil coparenting rhythm when she suddenly bumps into her first love, Atlas, again. After nearly two years separated, she is elated that for once, time is on their side, and she immediately says yes when Atlas asks her on a date.

But her excitement is quickly hampered by the knowledge that, though they are no longer married, Ryle is still very much a part of her life—and Atlas Corrigan is the one man he will hate being in his ex-wife and daughter’s life.

Switching between the perspectives of Lily and Atlas, It Starts with Us picks up right where the epilogue for the “gripping, pulse-pounding” (Sarah Pekkanen, author of Perfect Neighbors) bestselling phenomenon It Ends with Us left off. Revealing more about Atlas’s past and following Lily as she embraces a second chance at true love while navigating a jealous ex-husband, it proves that “no one delivers an emotional read like Colleen Hoover” (Anna Todd, New York Times bestselling author).

NEW YORK TIMES Bestseller • INTERNATIONAL LATINO BOOK AWARD FINALIST • A blazing talent debuts with the tale of a status-driven wedding planner grappling with her social ambitions, absent mother, and Puerto Rican roots—all in the wake of Hurricane Maria

ONE OF THE BEST BOOKS OF THE YEAR: TIME, NPR, Vogue, Esquire, Book Riot, Goodreads, EW, Reader's Digest, and more!

"Don’t underestimate this new novelist. She’s jump-starting the year with a smart romantic comedy that lures us in with laughter and keeps us hooked with a fantastically engaging story." —The Washington Post

It's 2017, and Olga and her brother, Pedro “Prieto” Acevedo, are boldfaced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn, while Olga is the tony wedding planner for Manhattan’s power brokers.

Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1 percent but she can’t seem to find her own. . . until she meets Matteo, who forces her to confront the effects of long-held family secrets.

Olga and Prieto’s mother, Blanca, a Young Lord turned radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives.

Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico’s history, Xochitl Gonzalez’s Olga Dies Dreaming is a story that examines political corruption, familial strife, and the very notion of the American dream—all while asking what it really means to weather a storm.